I started Hello, World with a question: what happens to our memories when they become data? So much of our lives now exists as photos, messages, timestamps, and digital traces, yet those records can sometimes feel strangely distant from the experiences behind them.
I imagined an exhibition where data could feel human again. Memories become particles and constellations, timelines become starfields, and typography drifts through an evolving digital cosmos. For me, Hello, World is an exploration of the space between technology and memory, and a way of asking how we continue to remember, connect, and leave pieces of ourselves behind.